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Vignettes from an African Childhood
Vignettes
from an African Childhood which was premiered in May, 2007, was written as a result of the Paramount Players' 2006 call for scores. It was almost set aside due to the Players' asking for regional connections in their music; Africa is not Appalachia.
However, when the group's director, Craig Combs, was queried, he encouraged Evelyn to finish the Vignettes.
Flute, Clarinet, Violin, Cello, and Piano
Seven Movements, approximately 15 minutes
PREMIERE, 8 PM, May 24, 2007
at the
Paramount Center for the Performing Arts
Bristol, Tennessee
Program Notes
VIGNETTES FROM an African
CHILDHOOD
By Evelyn Pursley-Kopitzke
My usual answer to the common icebreaker
question “where are you from,” is, “I live in Tennessee.” That’s because the complete answer
invariably begets a million more questions. When people find out that I’m “from” Africa,
they always want to know, “what was it like?” Well, I was a child; and I didn’t know anything different
at the time. My life in Africa was very protected and the cultures and political climates
were completely at the periphery of my experience. However, I shall attempt to tell you, to paint a picture for you—in
music—of what it was like. (Just so you don’t have to ask—we lived in Tanzania
and Zambia with short sojourns in Uganda
and South Africa. My parents were missionary
teachers. I was 9 ½ years old when we came “back” to the US.)
1. "
Baobabs, Anthills and Thorntrees" 1 minute, 52 seconds. (Zambia) I
remember going to see one of the largest local baobab trees. My father, mother, brother and I couldn’t even reach halfway
around its trunk, stretching fingertip to fingertip; diameters of over twenty feet were common. The bottle-shaped trunk was
pithy and hollow and there was a huge anthill (taller than my father) built up against the trunk. The only sign that the tree
was alive was the typical incongruously small cap of lacy leaves and branches, way up at the top. The ants, however, were
very definitely alive, and made the hollow trunk a much less inviting place to play. Baobabs thrive in arid places—where
you also find the acacia, or thorntree. The Africans call it the “wait-a-bit” tree because if you get caught in
the thorns, you just have to stop and wait until you’ve unhooked yourself—or pay the price in badly torn skin
or clothes. (Listen for the baobab trunks, treetops, the “ouch” from the
thorns, the “wait-a-bit” theme, an anthill and the ants!)
2.
"Azure Skies and Thunderstorms" 1 minute, 55 seconds.
When African skies are clear, there
isn’t a blue that compares anywhere else I’ve ever been. But during the rainy season, there’s a daily, very
short, violent thunderstorm sometime between two and four in the afternoon. The rest of the day, before and after, has glorious
azure skies with a few cotton candy clouds floating overhead. (Listen for blue skies
with lazy white clouds, lightning and thunder.)
| Zambezi at flood. Ferry is over non-flood bank. |

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| The daily storm is brewing. |
3.
“Floods on the Zambezi” 2 minutes, 1 second (Zambia: the Zambezi is the river that flows into Victoria
Falls.) The result of the thunderstorms’ daily deluge was the annual flood season. The Zambezi River was in flood for several months
out of every year. At peak flooding, the river was miles across and often too wide to see the other side (in this picture,
the bank on the other side is actually just treetops growing from a flooded island.); the water appeared to be a truly calm
lake—until we tossed in a stick or other floating object. Sometimes we even saw an “island” floating down
the river. (Masses of flora break free of the ground and come floating down the river—birds, snakes and all.) The stationary
islands that we saw were mostly just treetops above the flood. Water-loving animals, birds, and snakes had highly multiplied
habitat with better access to their prey in shallow flood water. At night we often heard hippopotami “talking”
to each other across the river. We never went near the river—even our fenced-off swimming area—without one of
the men checking it with a pole for submerged crocodiles. (Listen for rising water
flowing downstream, the “calm” flooded river, treetops, hippopotami “talking”, a kingfisher diving
and the splash of its prey, snakes, crocodiles, and receding water.)
4.
“Sunset on Dream Mountain” 2 minutes, 10 seconds. (Tanzania)
It’s a spectacularly vivid
orange and purple sunset on the mountains behind Mbeya—not so unusual, except this one was in the dream I had when I
was about five. I had recently been told how helicopters fly, and in the dream, whirling myself fast enough would make me
fly too. I remember being so dizzy that I could hear my heart beat in my ears. And I have never seen a more brilliant sunset
since. (Listen for the ear-ringing dizziness, the heartbeats, and the “sky theme”
from #2.)
5.
“Kopjes and Marmots” 1 minute, 26 seconds (South Africa)
‘Kopje’ (pronounced "copy") is
the South African name for a flat-topped rocky hill—a perfect place for a pleasant afternoon hike. Marmots (hyrax or
rock-rabbit) find the holes under the many rocks perfect places to live. When we went hiking up the kopjes, we’d see
marmots calmly eating their seeds and we always thought we could get close enough for a better look. But every time we got
closer, all-of-a-sudden, the marmots would just disappear! We never could catch them running, or diving, or whatever it was,
into their holes. One second they were there and the next second they weren’t. (Listen
for the kopje, hiking up the kopje, the marmots and the marmots disappearing.)
| Tolo, our kudu, Tiger, our cat, bottle feeding, |

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| & giant mushrooms that grew in an anthill. |
| My brother and our pet monkey. |

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6. "Friends, Wild and Tame: Lament of a Child”
3 minutes, 26 seconds.My childhood was
filled with succession of animal friends: my cats, Mrs. Tha, Tippy and Tiger; our dog Prince; a monkey; Tolo, our orphan kudu
(large antelope); several other baby antelope; and a wild, tail-less rabbit. (No, its species usually
has tails; this one lost its tail when a sudden noise made it dive back into its hutch and I tried to catch it but
only got its tail. Ouch!) Africa isn’t kind to pets, and ours were no exception; even our tame animals rarely survived long.
(Listen for the cats’ purr, the dog’s barking, the monkey’s chatter,
the rabbit theme from movement #5 and heartbeats. After the animals’ heartbeats slow and then stop—twice in the
music (In real life we kept on adopting new pets despite their disastrously short life spans, mostly because the Africans
kept bringing us the orphaned babies and we attempted to save them.), listen for the lament of a child who always had to say
goodbye.)
7. “Serengeti” 2 minutes, 48 seconds. (Equatorial Plains)
Massive herds of animals
begin their yearly migration with a single wildebeest and its calf. The sea of animals has just one goal, follow the food
supply; and when the rains stop and the grass runs out, the herds must migrate. (Listen
for the hoof-beats, the herds’ collective forward rush, the lion’s roar and the stampede it starts. Then notice
the stragglers’ lagging hoof-beats, a pounce, the rest of the herd disappearing into a cloud of dust and then the roar
after a kill.)
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